Interview: JIM BRUNZELL

This week, I interview the amazing Jim Brunzell, the director of Sound Unseen, on the eve of it's 14th Annual Film Festival.  Jim and I talk growing up with a wrestler as a father, getting into movies, posters and more.

You can subscribe to our podcast on iTunes or you can listen here:
http://traffic.libsyn.com/allstarvideo/Interview_with_Jim_Brunzell.mp3

Thanks for listening!
-J. Moret

YOUTUBE: Baywatch - Bash at the Beach

I HATE YOUTUBE is a look at the current mess of life that Matt leads. He typically comes home from work, takes his clothes off, busts open a beer and fires up YouTube and goes shoulder deep into the filth that resides in it's depths. Here, he discusses his findings.

There is no greater example of the wasteland that is YouTube than Baywatch - Season 6, Episode 15 entitled, "Bash at the Beach." When I was a kid, just discovering the world of sex, I couldn't bring myself to watch Baywatch. That's how bad I thought the show was. It's the most poorly acted show ever. . . and it's about lifeguards.

Throw in Pro-Wrestling (Which I loved) and unfortunately, It was a must watch.

There are two plots in this episode. The "A" plot centers around Hulk Hogan and Randy Savage fighting Ric Flair and Vader. Flair and Vader purchased the Boys Athletic Club and plan to turn it into Condos. The lifeguards of Baywatch have been assisting the owners of the Boys Club financially but the owner has to sell.

The "B" plot centers around Stephanie Holden (The Flat One) getting skin cancer and being totally over emotional about it.

To get it out of the way, Holden gets a biopsy. Mitch Buchanan (Hasselhoff) Spends the entire episode consoling her. Holden get so emotional and weird that she tells some sweet bikini babes to load up on sunblock like an oppressive fascist. It was so embarrassing, I fast forwarded past it.

The "A" plot starts out with a Ski-Doo crushing Hulk Hogan's skull during a race with the Macho Man Randy Savage. This is the best thing that ever happened on Baywatch.

"OH SHIT. . . BROTHER!"

CJ (Pamela Anderson) rescues Hogan. They somehow arrive on the topic of the Boys Club during their 30 second conversation. Apparently the club will be torn down by the new owners.  Hogan and Savage go pump iron there. It's sweet. Then the kids ask where they're going to train if the place gets torn down.

Flair, Vader, and "The Taskmaster" Kevin Sullivan show up and reveal they have purchased the Boys Club. Hogan and Savage challenge Vader and Flair respectively to matches. Whoever wins, gets the Boys Club. This makes no sense at all. Why would Flair and Vader accept this challenge? They have nothing to gain and everything to lose.

To keep this short:

1 .There is a training montage featuring Hogan running down the beach being followed by kids a la Rocky 2.

2. The matches at the end feature punch sound effects. For anyone that at anytime has watched pro wrestling, this is disorienting and sad.

3. Hogan and Savage win and Hulk kisses the deed to the Boys Club.

4. The episode ends with Holden on the beach at sunset, facing her cancer with Hasselhoff and some phony Yanni tunes.

5. There is a guy wearing a wrestling singlet with a T-shirt.

Boys Club.

The only thing remotely interesting about this episode in the context of pro-wrestling is it's airdate. 3 months after air, the nWo would be formed and Hogan would turn heel (Bad Guy). The episode would not have been possible if Hogan was a heel. . . well, timing is everything, I guess.

Opinion: MY FAVORITE WINTER MOVIES

Winters in Minnesota get pretty chilly.  For you warm weather creeps, this might not make sense, but I love Minnesota winters.  It's a strange mix of sad melancholy and hearty solidarity.  Taking time to sit by the fireplace and write or read offers a different kind of reflection that I can't conjure in the summer.  Everything seems to slow down and take a break.
This list doesn't really have any new finds, it's more just a list of stuff I thought I'd remind you about.

WINTER LIGHT (1963)

I can't do really great films during the summer.  I don't know what it is, but somehow I only want to watch crazy crap.  The exact opposite of that is Ingmar Bergman.  And, I think it gets no better than his beautiful and heart-crushing 1963 film, WINTER LIGHT.  Tomas Ericsson is a small town pastor in Norway and his congregation is shrinking.  At the same time, or for that reason, he is having a crisis of faith and finds little to nothing he can offer.  It's a bitter pill to see his deep burnout, and it's also wonderfully honest.

THE THING (1982) 

& 

THE THING FROM ANOTHER WORLD (1951)

The deep winter cold makes for a wonderful comparison to the bitter and merciless dark that is space.  Both based on the short story, "Who Goes There?" Carpenter's wonderful 1982 version and the original Hawks film are perfect.  Capturing both the isolation and danger of winter, they are terrifying.  The cabin fever and distrust grow and grow until you feel you might be safer out in the cold.

FARGO (1996)

The greatest American directors working are from right here in ol' Minnesota and they capture it perfectly with Fargo.  Frances McDormand could be no better as Marge.  The cold drive down I-35 toward Minneapolis was my first introduction to the city and there was something strangely surreal about how I knew it so well from this film already.  Still one of my favorite movies of all time.

SNOW ANGELS (2007)

David Gordon Green is a brilliant director.  Unfortunately, he took some time off to try to convince every one otherwise with Your Highness, etc...  Well, Snow Angels still shows his brilliance, and is worth your time.

THE ICE STORM (1997)

Ang Lee is not always my bag, but I thought this movie was incredible.  I'll never stop being fascinated / weirded out by the swinging scene of the '70s or by tiny Tobey Maguire.  I haven't seen it in a while, but I have vivid memories of various scenes from the film.  An incredibly engaging and beautiful film.

STALKER (1979)

I discovered a few weeks ago that this film needs to be projected on a screen to be truly appreciated.  I have seen it a few times, and loved it immensely.  However, something about that 35mm on the giant screen made it something completely different.  Anyhow, those opportunities are limited, so check it out any way you can.  But, watch it on the biggest TV or screen you have, and bring some hot coffee.  And Tea.  That scene in the grinder makes me cold just thinking about it.

YOU BETTER WATCH OUT (better known as CHRISTMAS EVIL) (1980) 

& 

BLACK CHRISTMAS (1974)

I think it makes sense to have these together.  One (Black) is the first slasher made in the States and the other is a great and strange Taxi Driver(esque) black comedy.  If you want a deeper view into them, here are my reviews from last year: 

http://www.allstarvideo.blogspot.com/2012/12/a-black-christmas-story-bob-clarks.html

http://www.allstarvideo.blogspot.com/2012/12/christmas-evil-aka-you-better-watch-out.html

They make for a great double feature.

LET THE RIGHT ONE IN (2008)

This movie is incredible.  Probably my favorite modern horror film.  It's beautifully shot and has a deep and generous heart.  It seems to be able to avoid the all too tired cliches of most recent horror films.  At it's center, it is really a beautiful love story.  Or a creepy kidnapping.  Hard to say.  Either way, I love it.

THE GREAT SILENCE (1968)

I love a good mute gunslinger.  Sergio Corbucci is a recent find for me as a director.  He has a way of drawing out violence in a way that feels far more brutal and personal than most.  And, who doesn't absolutely love Klaus Kinski as a villain.  I saw this film just this past summer and immediately knew it was one that I would want to see again in the midst of bitter February.

LAWRENCE OF ARABIA (1962)

I know, the Arabian Desert is probably about as far from the cold of Minnesota as you can imagine, but I think the desert is pretty similar to the wilderness of the -20 below zero weather of northern Minnesota in February.  Likewise, I find that the only time I want to watch huge epic films is in the dead of winter.  

HUSBANDS (1970)

I first saw this movie a few years ago as I was making way through John Cassavetes' work.  It hit me then as a wonderful meditation on friendship.  Cassavetes' stuff has a way of changing every time you see it, however.  It breathes and grows as you do.  This past September, I had a chance to see it at the Trylon on 35mm, and this time it blew me away as a brilliant criticism of male escapism, juvenile attitudes toward responsibility and the crushing weight of grief.  And, it was still a beautiful meditation on friendship.  One of the most perfectly honest films ever made, and one of my favorites.

- J. Moret

Box Art: SCALPEL (aka FALSE FACE)

Collecting Physical Media is a dying hobby.  Digital Media is becoming more overwhelming and prevalent all the time.  Streaming services offer what seems to be an unlimited amount of titles.  However, services like Netflix and Hulu are actually far more limited and temporary.  So, in our hunt to find interesting titles that can only be obtained physically, I bring you SCALPEL.

Director John Grissmer has attempted to make Eyes without a Face for a new generation.  And, well, it is somewhat interesting and somewhat successful. He studies... oh, who cares.  It could have been done a lot better or worse, and been a whole lot more entertaining.Plastic surgeon and hilariously evil father Dr. Reynolds wants his daughter's inheritance.  So, he makes the very bad piano player exotic dancer Jane into the spitting image of the fruit of his loins.  

There are a few great moments.  At one point Dr. Reynolds is explaining to Jane how his wife died, and while he is describing her accidental drowning, there is a quick cut to Reynolds circling his drowning wife in a paddleboat.  Brilliant comedic timing. 

The Box:

Some geometric lines, a scalpel and some gloved hands offer a rather ambiguous cover.  At first glance it appears as though you are viewing a gruesome surgery.  On the back you get a doctor, a bandaged lady, and a man that seems to be having a heart attack.

It's nothing outstanding, but it was enough for me to grab it in a rush when I was trying to get as many interesting titles as possible in a mad dash behind a Family Thrift Store.

-J. Moret

Interview: DAVID A PRIOR

And, David A, Prior Month comes to an end.  We end with the man himself.  We discuss how it all started with Sledgehammer, the ideas for Deadly Prey, The Final Sanction and more.  And, now, we come to the release of DEADLIEST PREY.
You can get your copy of Deadliest Prey at www.deadliestprey.com

You can subscribe to our podcast on iTunes or you can listen here:
http://traffic.libsyn.com/allstarvideo/Interview_with_David_Prior.mp3


Thanks for listening!
-J. Moret